A respectable panel of Judges chaired by Philippe Sands discussed the relationship between international and domestic law with a specific focus on criminal and human rights law.
I entered this talk (to my shame) largely ignorant of the work of Andrew O’Hagan. However as I often discover ignorance can also mean no pre conceived ideas or expectations, which in turn can lead to wonderful surprises.
This was certainly my experience of Andrew O’Hagan in conversation with Rosie Boycott. These two clearly go back a long way and consequently the tone of the interview was relaxed and informed as Rosie interviewed him about his latest novel ‘The Illuminations’ and so much more besides.
O’Hagan is a journalist by trade and consequently his novels are largely informed by journalism. ‘The Illuminations’ is very much about the effects of the war in Afghanistan on one particular soldier; something O’Hagan knows much about having spent time with soldiers in Kabul.
Interesting conversation emerged about the lack of literature that has come out of the conflicts the UK has been involved in for the last 25 years compared to the wealth of stories, essays and novels that draw on World War I and II as inspiration. O’Hagan made that point that “we are living in under described times” . He is clearly bemused by this listing recent events such as the recent vote on Scottish Indepedence as providing enough material to keep novelists going for years.
I could have listened to Andrew O’Hagan much longer than the allocated hour, he was interesting and engaging and hearing him read a particularly tense scene from his novel was for me the highlight as I suspect it was for much of the audience. I stole a moment to glance around and saw an audience listening in open-mouthed rapt attention.
I left this talk feeling thrilled by the power of fiction and excited to have discovered another author I had not read before
The Psychopath Test is Ronson’s last book and that’s where he starts. Labelling people as mentally ill can be highly problematic, but we all like a “mental health check list” he says. There’s a parallel with his new book “So You’ve Been Publicly Shamed.” The public shaming that takes place on the internet is a form of labelling and it is intentionally dehumanising.
The book contains chapters based on a whole series of examples of public shaming. One of these was about Justine Sacco, who sent an ostensibly racist tweet whilst on her way to South Africa. She believed she was making a joke exposing a passive racist bubble in which many white Americans exist. That’s not what the twitterati believed. The shaming took place whilst Justine was asleep on the plane with no access to the internet. By the time she landed she was the focus of worldwide hatred and had lost her job.
After Ronson took us through his book-centred performance, and performance it was, with timing and humour honed over an extensive promotional tour, John Mitchinson’s interview was completely on point. If you didn’t have tickets for Texas this was a fine way to end a Hay day.
We are defining the boundaries of normality by terrorising and humiliating the people who stand outside. Social justice is being defined by people who care more about ideology than they do about people, says Ronson.
“Whatever else this man is he’s not a politician.” Nick Cohen begins by saying that left wing journalists failed in their duty by not saying that Ed Miliband couldn’t win an election because he wasn’t convincing as a prospective prime minister.
Cohen argues that 2015 was also a turning point where the traditional progressive majority in the UK was eroded and the parties on the right gained over 50% of the votes (58% if you include the Liberal Democrats).
Manzoor invites the audience to ask questions during the discussion to be “part of the conversation”. It has mixed results and the discussion becomes more than a little fragmented as a result. We move onto Tony Blair, there is a sense that the audience is skeptical about him and that both Cohen and Manzoor believe he is the sort of leader that the Labour Party now needs. Manzoor challenges a Tory voter in the audience “did you feel the Conservative campaign was full of love?” She responds by accusing him of being patronising and a vocal section of the audience agrees.
Bizarrely many of those speaking from the floor say that they voted Conservative but few of them seem happy about it. That could be a “Hay effect” but begs the question as to why they grabbed a microphone.
Another member of the audience takes a swipe at the chair, this time taking offence at being addressed as a lady. “Dimbleby never gets this kind of shit” says Manzoor.
Nick Cohen has some very interesting and insightful things to say but the early evening session is dominated by people from the floor. They completely ignore Manzoor’s request that they ask questions rather than take the opportunity to give their own, far from original or insightful, opinions.
Andrew Keen is the author of ‘The Internet is Not the Answer ‘ which argues that the internet is having a negative effect on our culture. Robert Phillips, ex CEO of Edelman, a leading global PR firm, has written ‘Trust Me PR is Dead’.
I have to declare an interest here; I’m a PR person and I’m on the board of the Chartered Institute of Public Relations, so I don’t entirely subscribe to Robert’s assertion.
Actually he starts by saying that PR isn’t dead. What Phillips asserts is that the problem is that PR doesn’t speak to the common good and doesn’t focus enough on trustworthiness.
Whilst Robert Phillips is concerned with a failure of trust revealed by the transparency brought about by the internet, Andrew Keen believes that internet itself is a cause of inequality and injustice. The internet does away with top down elitist structures but it also sweeps away the trusted frameworks that support society. Keen described the world as flat, one in which we have contempt for leaders yet long for leadership.
Leadership failure is a subject that Robert Phillips covers too. He cites the recent disastrous corporate performance of Thomas Cook. It has been characterised as a PR failure but as Robert implies, it was actually a corporate failure.
Andrew Keen has the final word and applauds Robert’s appeal for greater values and morality but also says we must become less self obsessed. The problem with the Internet is that when we look at it we see ourselves.
It was a captivating, intellectual debate, but I’m no more convinced about the failures of the Internet or the Public Relations industry, than I was at the beginning. Who would have imagined.
Being a writer, I’ve been closely following the stellar rise of Jessie Burton, author of the 2014 sensation ‘The Miniaturist’. I follow Jessie, her agent Juliet Mushens and editor Francesca Main on twitter, so it’s been exciting to watch the story from the description of her submission letter to Mushens, the auction that followed, and publication that led to the book being on bestseller lists across the world.
And whilst it’s easy to get snarky about another writer’s success (read David Mitchell’s ‘The Bone Clocks’ for an excellent example of writerly envy), it’s impossible not to enjoy Burton’s. Not only is it a book worthy of the plaudits, but the author comes across as a genuinely lovely person who appreciates the wonderful and ‘discombobulating’ experience she has been having.
In this session with Georgia Godwin, she discussed both the busy promotional schedule of the last year, which has led to headline articles, personal interest in some countries, intellectual in others, but also some of the background to the book. She talked about how seeing the real miniature doll’s house in Amsterdam inspired her to explore a seventeenth century society that was both similar and different from ours. How wealthy women could walk the streets openly with their husbands, and could be members of guilds, and yet also had to fight the reactionary forces that pushed them back to the hearth.
She also talked about the complexity of her characters, how Nella is struggling to make sense of her world, and combative with her new family and how Marian’s kindness is buried in years of repression. And how the characters keep secrets from each other, sometimes because of the moralistic society they live in and sometimes for protection. How none of the characters can be fully known and some things are left half open.
I was also fascinated with her relaying how food becomes a status symbol in the book. Having sugar and spice meant people being able to show they were wealthy enough to flavour their food. Burton also noted that they would paint meals much in the same way people instagram them now.
This was a great interview, Burton is warm, self deprecating and an intelligent and thoughtful writer. I could have listened to her for hours. As a reader, I can confirm she writes beautifully. The Miniaturist isn’t my usual reading fare, but she drew me into the mysteries and secrets of her characters and describes the world so well, I really enjoyed it. As an aspiring writer her extraordinary rise to the top of the charts fills me with hope, not because I expect the same, but because it shows it is possible to be taken from the slushpile. And I love the fact she is so dumbstruck but the whole thing and was so excited by the size of her audience she took a selfie with us.
Her next book ‘Belonging’ will cover the Spanish Civil War and another set of secrets. It should be out next year – I’m already looking forward to it.
A most entertaining and very moving hour was spent last night in the company of Jude Law as he performed in an ensemble reading of My dear Bessie, the letters that passed between two lovers during the last years of the Second World War, and which now form the basis of a book of the same name.
Many a festival goer will have left this event with a lump in the throat and a tear in the eye. I know that I did. Such was the popularity of this particular piece that the scrum for seats was a little unseemly as the doors opened to permit admittance. Many a sharp middle class elbow was brought to bear as certain of the Friends of the festival showed that they were able to behave in a rather unfriendly fashion in order to bag a prime position. Such, I suppose, is the allure of Mr. Law. Normal civilised behaviour was resumed as he took to the stage, although the rapid beating of adjacent female hearts was almost audible.
Probably our nation’s greatest poet, Simon Armitage has published a follow up to Walking Home called Walking Away – a very entertaining travelogue of his walk along the south west coastal path as a modern day troubadour, reciting poetry to groups of people in exchange for bed and board. He undertook the challenge after getting ‘itchy feet’, he confessed, needing to get out into the world in order to discover things to write about. The south west path was almost the same distance as the Pennine way, and although it seemed to be an easier walk, it required a great deal of concentration, as in one direction was a steep cliff and the sea beyond…
He read an extract detailing a horrendous night spent at a Butlins Holiday Camp, which, he admitted ‘could have formed a book on its own’ During the walk he encountered the generousity of strangers and met some good people, and it was these experiences that kept him going despite the tiredness and melancholy that often accompanied him. Walking gives him a balance between writing in solitude and being out in the world, finding and experiencing things to write about. Training for the walk wasn’t something he thought about; ‘walking on day one is training for day two!’
After a slide show of photos (‘what I did on my holidays’) from the walk, he confessed that he probably won’t be writing any more fiction or non fiction, feeling that he is more ‘wired up for poetry’ Either way, I still remain an avid fan.
Ironically framed by The Telegraph Stage, these two left-wing political commentators bookended the talk by criticising the role that the right-supporting media has played during the recent election.
Weaving a tale of increasingly disheartening portent, they mapped Cameron and Osborne’s journey from ‘hugging huskies’ before the 2010 election to appointing climate change denier Owen Pattinson within weeks. The audience could not help but trace the parallels between then and now. The on-going series of astonishing appointments wouldn’t be out of place in a satirical nightmare. What’s more, Toynbee and Walker showed how a similar sleight of hand had been played with the electorate over austerity, which, as Toynbee emphasised to great applause, was ideologically fuelled rather than driven by necessity.
So what are the answers? Audience members were literally jumping up and down to get their voice heard in this time of uncertainty. Neither of the speakers could really offer a balm to ease the prospect of the fixed-term five-year stretch ahead. Even Polly criticised the Labour party’s inability to find the right language to communicate their competence in the face of Tory slander. What is worse, neither of them seemed hopeful of a government change in 2020. In fact, both of them nodded to the potential of grassroots movements and extra-parliamentary political activism, such as Britain Uncut. This is not the first or last time that protest marches were genuinely suggested from panels so far during the festival – we have heard this from eminent barristers and green energy proponents alike this weekend. For a middle-class orientated literature festival this is surely an omen of the unease felt by many.
Rather than inspiring and exciting me, as the thought of togetherness and activism usually does, this made me feel cast adrift. It seemed as if they were saying: it’s up to you to do something. Politics has failed. Something else needs to happen but we don’t quite know what. From two such renowned faces on the popular politics stage, this is worrying to say the least. It’s not just the politicians who don’t have any answers – the commentators seem to have lost their vision too.
As we were all reluctantly herded out of the tent, there was a lot of discussion. Fellow audience members’ communal frowns and hopeful snippets of advice to each other were the only glimmers of light through the post-talk gloom. Overall, Cameron’s Coup was a highlight of the festival – or would have been, if both Toynbee and Walker hadn’t constantly repeated the mantra that young people are a waste of space in politics at the moment. Reflexively, these supposedly liberal figures replied dismissively to all questions raised by younger audience members. Toynbee urged one passionate fellow liberal to ‘go and read up a bit more about it’ before criticising Labour.
Because of this, the moment was lost to take this sense of gloom and offer opportunities to grow these ideas into new possibilities for my generation. I was a fervent first voter this election and have experienced and witnessed the desperation and tears that the outcome of Cameron’s coup has had on everyone I know or care about. I can tell you, Polly, that young people are engaged in politics and I urge you to go and ‘read up a bit more about it’ before dismissing the next generation of political commentators.